A rare look inside the Nevada Biltmore's casino, circa the early 1940's.
The Black Biltmore
For a few anxious weeks in 1949, the Las Vegas resort
cracked the color barrier. Historian Bob Stoldal digs up
fresh insights as to how and why it happened.
The Moulin Rouge, the celebrated Las Vegas hotel-casino, took a noteworthy chunk
out of the civil-rights barrier in mid-century America. It was perhaps the first hotel
in America built for an integrated clientele, and certainly the first in Las Vegas, a
city that had earned the nickname "Mississippi of the West." The Moulin Rouge
was celebrated extensively during its mere six months in business -- it made the June
20, 1955, cover of Life magazine -- and it lives on today, romanticized because of the
many articles, books, images and efforts to salvage its architectural remnants in the
ensuing decades.
But many of the steps in the long, hard climb toward equality were far less glorious.
Most are completely forgotten. Such is the case with the Nevada Biltmore, a Las
Vegas hotel-casino whose day in the spotlight occurred several years before the Moulin
Rouge's and whose contribution to our history lasted not even half as long. Its story is
complicated by behind-the-scenes machinations -- some involving prominent citizens
whose names adorn our public buildings today -- and lingering questions, which is
perhaps why the Biltmore's lessons have been lost beneath 60 years of dust. That, and
there's not much left to remind us of the little resort that stirred up the town during the
summer of 1949. All that's left of the Biltmore is a huge old palm tree in the middle of an
otherwise bulldozed lot on the northeast corner of Main and Bonanza.
* * *
The Biltmore was built on this corner in 1942 by Bob Brooks. His single-story
resort on 17 acres -- featuring a hotel, cottages, showroom, casino, restaurant, bar and
pool-was Polynesian-themed, a motif he'd brought with him from his famous Seven
Seas restaurant and lounge in Hollywood.
For nearly three years the investment paid off, thanks to business from the expanding
Army Air Field at the north end of town. But by the end of 1944, Brooks saw the
Biltmore's future dimming and sold the resort. It changed owners (one of whom was
famed bandleader Horace Heidt) until June 1948, when four well-known members
of the white community purchased the resort as the Nevada Biltmore Hotel
Corporation.
Lou Wiener Jr. was a prominent attorney
who, at the time, was handling the will
of his late client Bugsy Siegel; B. Mahlon
Brown was a former justice of the peace;
Jimmy Sills owned a drive-in restaurant;
and Carl Amente was the gambler of the
group. Together they decided to pursue
a local clientele instead of competing for
visitors with the hotels on what was becoming
known as "The Strip." But in less
than a year, the partners realized their
plan was not working. A new approach
was needed, and someone came up with
the idea to turn the Biltmore-one of Las
Vegas' six major properties -- into a resort
serving the black community.
During the 1940s, that community
had grown from 178 to 2,888. Many
blacks were recruited to work at the new
defense plants here. Some were soldiers
stationed at the air base or assigned to
guard Boulder Dam. The Biltmore, two
blocks from the railroad depot and near
"the Negro section" of town, was in a
good spot to reap the benefits, with business
potentially coming from tourists
and local residents.
On April 21, 1949, as part of the plan,
Wiener filed a new set of articles of incorporation
for the aforementioned partnership,
which was renamed the Texas-
Nevada Corporation, and the documents
listed him and two others as directors,
including Cliff Jones, the state's lieutenant
governor. With a capital authorization
of $1 million, Wiener stated that the purpose
of the corporation was to acquire,
operate, lease and or dispose of resorts.
The Biltmore was not mentioned, but the
next day a man who was not named in the
articles, Stanley Hunter, quietly filed applications
for liquor and gaming licenses
for the resort.
Homer Snowden was not listed in
those articles, either, but two days later,
the prominent Texas oilman introduced
himself to citizens of Las Vegas as the
president of the Texas-Nevada Corporation
and announced that he had
purchased the Biltmore with his partners,
whom he refused to name. He did
tell the Las Vegas Review-Journal that
Hunter would operate the hotel-casino.
The Review-Journal and the Reno
Evening Gazette each wrote articles
about Hunter, describing him as a native
Nevadan who had been active for years
in the state's hotel business. What neither
newspaper reported was that, before
the war, Hunter had been escorted
out of Nevada. In the late 1930s, because
of financial trouble, he was forced to sell
the Yucca Club, a gambling saloon on
the outskirts of Las Vegas. Then he was
arrested after breaking into the home of
his estranged wife and threatening her
and their son with a gun. The next day
police put Hunter on a bus heading for
Washington state, where he lived with
friends.
How or when Hunter became associated
with Snowden, Wiener or Jones is
unclear, but on May 1, 1949, Hunter took
charge of the day-to-day operations of the
Nevada Biltmore. Using the existing licenses
from the original Wiener partnership,
Hunter was able to sell liquor and keep the
gaming operations open, pending state and
local approval of his applications.
Over the next month a series of
strange events took place, starting with
rumors that the owners of a major Las
Vegas hotel-casino were negotiating to
sell the property to a group of "colored
entertainers."
On June 9 the Nevada Tax Commission
voted to delay issuing a gaming
license to Hunter and the new Biltmore
group "subject to investigation." The next
day the whispered story became public:
The possibility that a major Las Vegas resort
would be sold to a group of wealthy
Southern California black men was mentioned
in the mainstream press.
A nationally syndicated newspaper
columnist, Erskine Johnson, told his
readers on June 10: "Jack Benny's Rochester
[Eddie Anderson] is bidding for
ownership of the million-dollar Las Vegas
Nevada Biltmore Hotel." In the 1940s,
"Rochester," Benny's valet and confidante,
was a household name in America. By
1949, Anderson was a star in his own right,
making film, radio and live appearances.
But four days later Hunter announced
that he, not Anderson, had purchased the
Biltmore. He told the Review-Journal that
he'd negotiated the sale over the telephone
with Snowden and his attorneys 12 hours
prior to the alleged Anderson bid.
What kind of ploy Hunter was involved
in we'll never know, but one thing
is certain: He never signed any papers.
Hunter was fronting for Snowden, who
was still the owner of record. Why?
Perhaps it had to do with biggest news of
the day. In that same front-page article,
Hunter proclaimed that "the Nevada
Biltmore is open to Negro local and tourist
trade now."
He made it clear that the Biltmore was
not going to be an integrated hotel. The
community was not ready for that, but it
might be ready for a resort "operated for
colored trade exclusively." The self-proclaimed
new owner also said he was hiring
"a complete staff of Negro attendants
in the hotel."
The white establishment was shocked;
the city fathers were mortified. At that
time, no black person was allowed to rent
a room, buy a meal, place a bet or see a
show downtown or on the Strip. Even
those who came to Las Vegas to headline
in the showrooms weren't allowed to
stay in the hotels. The city was strictly
"Jim Crow."
The response was immediate. Mayor
Ernie Cragin called the city commissioners
to his office for a "special meeting"
to consider Hunter's license requests.
His first action was to have a letter
read into the minutes from B. Mahlon
Brown stating that he and his partners
had "disposed of their interest in the
Nevada Biltmore Hotel operation." On a
motion of Commissioner Reed Whipple,
the mayor and the commission unanimously
revoked the original licenses.
The next item was a motion, again by
Whipple, to reject the liquor and gaming
applications Hunter had submitted
three weeks earlier. With a second from
Commissioner Wendell Bunker, supported
by the mayor and the other commissioners,
Hunter's applications were
denied. No reason was given.
"Swank Vegas Resort Hotel Exclusive
for Negroes Now; City Revokes Its
Licenses" was the headline in the June
16, 1949, Nevada State Journal.
The Reno Evening Gazette carried
this quote from Hunter: "We acquired
the hotel May 1, and it has been dying on
its feet, so yesterday I announced it would
be operated for colored trade exclusively.
Yesterday afternoon the commission revoked
our bar and slot machine licenses.
That's discrimination, and I am going to
court to get the licenses back."
Hunter's charges were not printed
in the Review-Journal, whose policy -- as
editor John Calhan later said in his oral
history -- was: "We were not interested in
promoting racial problems. The newspaper
was going to let nature take its own
course, as far as the blacks were concerned.
We were neither for nor against
them."
But five days later, the paper did
have a story about the reaction from the
"Westside Folks," who had swiftly rallied
against the commission, saying the
licenses were denied precisely because
the Biltmore was being "converted into a
colored operation."
Woodrow Wilson, president of the
Las Vegas chapter of the National Association
for the Advancement of Colored
People (NAACP), demanded answers. He
called on Mayor Cragin to attend a public
meeting on the evening of June 20 at the
Second Baptist Church. One hundred
people showed up, but the mayor was
not one of them.
Cragin was popular among the voters,
having been elected twice (perhaps
it helped that his insurance firm had just
about every gaming club in town as a
client). But he did have a previous run-in
with the black community. He had opened
the El Portal Theatre on Fremont Street,
and despite pleas from the local NAACP
chapter, kept the movie house segregated
throughout the 1940s.
In the Biltmore case, Cragin sent Wilson
a letter saying he was sorry that neither
he nor any of the city commissioners were
able to attend the meeting. He invited the
NAACP and its members to an "informal"
commission meeting the next day.
On the morning of June 22, Wilson
and more than 50 supporters showed
up. A Review-Journal reporter in attendance
said Wilson, who would later
become the first black to serve in the
Nevada Legislature, made an eloquent
plea to the commission "to preserve civil
rights and respect minority rights in the
Biltmore matter."
Cragin's response was that the city
commission had no right to refuse a gaming
or liquor license to any person on the
grounds of race, and he invited Wilson's
committee to attend an official meeting
on this issue. Wilson accepted.
"A group of approximately 250 to 300
blacks followed me down," Wilson recalled
in a 2004 interview with Las Vegas
CityLife. "We marched on City Hall."
Counting advocates and opponents
of new liquor and gaming licenses, about
500 people showed up, forcing the commission
to move from its regular chambers
to a nearby auditorium. The meeting
featured numerous appeals from citizens
who wanted the city to change its policy
of limiting the number of gambling and
liquor licenses. They were denied, and so
were licenses for the Biltmore and two
other hopeful casino operators, including
Benny Binion.
Commissioner Whipple acted as a
protector of the gaming industry, and
pointed out that he was not alone: "A
large number of substantial citizens have
protested extension of gambling and
liquor licensing. ...If this board was to
throw the city wide open, it is reasonable
to believe a concerted drive might result
to eliminate all gambling in Las Vegas."
Wilson called the Biltmore's setback
"a really sad situation for the black community.
It would have helped to raise
the economic status of the community
because that would have put blacks in
positions of authority, management and
the like by having people make the type
of money that executives and sub-executives
make in the hotel industry."
"But," he added, "we continued to
work."
And this persistence proved to be a
pivotal moment for blacks in Las Vegas.
For the first time in the community's
history, in June and July 1949, the Biltmore
was the only first-class Las Vegas
resort where blacks' money
was accepted. From the hotel
rooms to the recreation
facilities, they were at last
being served.
Dedra Geran, a black
resident, recalled on the
City of Las Vegas' centennial
website that during all those
years of segregation in Las
Vegas, the "white owner" of the Biltmore
was "the only person in all of Las Vegas
to let blacks swim at his hotel pool."
And although the bar could sell only
soft drinks, the Review-Journal reported
that "Negro guests were permitted to
bring their own liquor bottles for drinks
in the dining room." 1 | 2 Next Page »